The Ford Model A’s good looks and low price of admission attracted millions of buyers before and after World War II. In later postwar years, those same qualities made the A one of the world’s most popular collector cars.
As a restoration project, you can’t beat a Model A: They’re simple, they’re supported by a vast network of specialists, and parts are widely available. That’s why hobbyists fixed ’em up decades ago and why many of those same Model A’s are being restored a second or third time by hobbyists today.
Bruce LeFebvre, the owner/restorer of this month’s stunning Bonnie Gray and Chelsea Blue 1929 Model A Standard Coupe, is a history buff and had always admired the Model A’s styling. “They look cool,” he says. “And Henry Ford was a fascinating character who really put America on wheels.”
Bruce wasn’t what you would call a Model A expert when he started shopping for one of his own about a decade ago, but over the course of this project, he gained a lot of knowledge.
“I didn’t know my ass from my elbow about Model A’s, but I knew I wanted one,” he says. “I saw one online located in a town called Peculiar, Missouri—so I bought it for $6,500, then my friend Roger Parrott and I spent almost 10 days going out and back to get it.”
Bruce’s reasonably priced, online auction fi nd was a nice-looking car, though maybe a little worn and in need of attention. It had already been converted to hydraulic brakes —a selling point and something which would’ve been on Bruce’s to-do list anyway. Outside, the car wore aged green paint and inside there was what looked like water stains on the upholstery. Some fresh interior pieces, some paint, and some general sprucing should have brought it back to like-new condition — or so Bruce thought. But once back at his shop in Connecticut, a teardown revealed a lot of hidden rust, wood rot, and some hasty body repairs, too.
“When I first saw the car, it didn’t look bad at all,” Bruce says. “But once we started taking it apart—we took the headliner out, the seats out, and the side panels —you could see it was packed with body filler and there was haphazard fiberglass work that looked like bandages holding it together