The so-called tri-fives don’t seem to be waning in popularity at all
It’s easy to pick on the 1955 to 1957 Chevrolet passenger cars – known to many as tri-five Chevrolets – as ubiquitous and basic collector cars. They sold in such vast quantities that, it seemed, everybody at one point owned one, knew somebody who owned one, or wanted to own one. As a result, they’ve almost lost their mystique over the years. But it’s also worth remembering two things: There was a reason the cars became popular and remained so in the first place, to the point where they’re now considered pop culture icons, and there’s always a younger generation coming along intrigued by the cars and all they represent, but not yet studied in their ways. So what should anybody new to tri-fives consider when looking to buy one?
What Makes Tri-Fives Iconic?
Even mid-Fifties Ford fans will admit that – despite the fact that Ford’s passenger cars handily outsold Chevrolet’s in 1957 – the latter has gone on to become the darling of the collector-car world and the poster child for post-war American optimism and culture.
Did Chevrolet somehow capture the chrome-and-glitz zeitgeist better than Ford? Was it the new Chevrolet small-block V-8 that captured hot-rodders’ attention and made bold horsepower claims? Or was it the fact that Chevrolet found a formula for a modern car that set the tone for its output for the next few decades?
After all, here was a thoroughly redesigned car that ditched its predecessors’ torque tube and vestiges of pre-envelope styling. It introduced to the Chevrolet lineup ball-joint independent front suspension, suspended brake and clutch pedals, 12-volt electrical systems, and tubeless tires. What’s more, it brought jet-age futuristic styling in the form of tailfins, wraparound windshields, and trim packages that evoked high-speed travel.
Ford may have presented itself as the more affordable of the two, but did that really matter in terms of legacy when America’s middle class had gobs of purchasing power at the time and a desire for futuristic, auto show-inspired cars in its driveways?
So while mid-Fifties Fords have their fan base, the tri-five Chevrolet appeals across wide swaths of the collector-car hobby. As a result, it’s a car that’s readily available no matter where you are in pretty much every configuration one can imagine, from project car to stock restored to extensively modified.
It’s easy to pick on the 1955 to 1957 Chevrolet passenger cars – known to many as tri-five Chevrolets – as ubiquitous and basic collector cars. They sold in such vast quantities that, it seemed, everybody at one point owned one, knew somebody who owned one, or wanted to own one. As a result, they’ve almost lost their mystique over the years. But it’s also worth remembering two things: There was a reason the cars became popular and remained so in the first place, to the point where they’re now considered pop culture icons, and there’s always a younger generation coming along intrigued by the cars and all they represent, but not yet studied in their ways. So what should anybody new to tri-fives consider when looking to buy one?
What Makes Tri-Fives Iconic?
Even mid-Fifties Ford fans will admit that – despite the fact that Ford’s passenger cars handily outsold Chevrolet’s in 1957 – the latter has gone on to become the darling of the collector-car world and the poster child for post-war American optimism and culture.
Did Chevrolet somehow capture the chrome-and-glitz zeitgeist better than Ford? Was it the new Chevrolet small-block V-8 that captured hot-rodders’ attention and made bold horsepower claims? Or was it the fact that Chevrolet found a formula for a modern car that set the tone for its output for the next few decades?
After all, here was a thoroughly redesigned car that ditched its predecessors’ torque tube and vestiges of pre-envelope styling. It introduced to the Chevrolet lineup ball-joint independent front suspension, suspended brake and clutch pedals, 12-volt electrical systems, and tubeless tires. What’s more, it brought jet-age futuristic styling in the form of tailfins, wraparound windshields, and trim packages that evoked high-speed travel.
Ford may have presented itself as the more affordable of the two, but did that really matter in terms of legacy when America’s middle class had gobs of purchasing power at the time and a desire for futuristic, auto show-inspired cars in its driveways?
So while mid-Fifties Fords have their fan base, the tri-five Chevrolet appeals across wide swaths of the collector-car hobby. As a result, it’s a car that’s readily available no matter where you are in pretty much every configuration one can imagine, from project car to stock restored to extensively modified.
1955 Chevrolet 150
How to Identify a Tri-Five Chevrolet
Over its three-year run, the tri-five Chevrolet was offered in three basic trim levels, at least eight different nameplates, and at least 21 different body styles, with significant styling changes from year to year. Telling them all apart, however, isn’t too difficult.
Let’s begin with model years. The 1955 Chevrolets all had fairly square egg crate grilles flanked by semi-oval front marker lamps with triangular taillamps mounted to the tops of the rear quarter panels. The ’55s are also the only tri-fives to feature a fuel filler door mounted on the quarter panels. The following year, Chevrolet hid the fuel filler behind the left taillamp, widened the grille to encompass rectangular front marker lamps, and shrank the taillamps to small round lenses in a larger chrome decorative bezel in roughly the same location. Then for 1957, the grilles became more sculptured, with the front bumpers wrapping up at the ends to nearly encapsulate them. The hood ornament of the prior two years gave way to bombsights set into the leading edge of the hood, the headlamp bezels were opened up and fitted with mesh to permit fresh air intake, and the leading section of the fenders was scored with hashmarks. Around back, the ’57s featured pointer fins, the fuel filler door behind a piece of chrome trim on the fin, and taillamps mounted at the base of the fin.
To distinguish the three trim levels, look primarily to the chrome spears mounted to the sides of the cars. The base 150 came with no side trim in its first year, a single spear extending from just behind the headlamps to a piece dropping down from the post-B-pillar notch in 1956, and a single spear extending rearward from the same notch in 1957. The mid-level 210 had a side spear similar to the 1957 150’s, though mounted a little lower, followed by a full-length spear that swooped downward at the rear in 1956, and a branching version of the downward swooping spear in 1957. The top-of-the-line Bel Air always used some variation on the same year 210’s side trim: In 1955, it added a simple spear extending rearward from the headlamps; in 1956, it added a second horizontal piece paralleling the main one from the headlamps back to the notch; and in 1957, the Bel Air added a stainless steel panel between the two side trim branches.
Note too that certain body styles only exist in certain trim levels during the tri-five Chevrolet’s run. No two-door or four-door hardtops were ever available in the 150, convertibles could only be had as Bel Airs, and business coupes (“utility coupes,” in Chevrolet parlance) were only available as 150s.
Station wagons had their own nomenclature depending on the trim level. The 150 series had the Handyman, available only as a two-door; the 210 and the Bel Air had the Townsman, available only as a six-passenger four-door; and the Bel Air had the nine passenger three-row Beauville. And let’s not forget the Nomad, the sporty two-door station wagon from the Bel Air series that took its name and greenhouse from the Corvette Nomad Motorama show car.
While all of the above applies regardless of the number of cylinders under the hood, Chevrolet did add trim to differentiate the V-8 cars from the six-cylinder ones: a small emblem under the taillamps on 1955 models and a vee-shaped piece of trim on the hood for 1956 and 1957 models.